We can rethink the way we party - fun doesn’t have to depend on a headliner. The crowd itself can be the party, creating a unique collective energy.

It’s abnormal that only a few benefit from this industry: DJs, managers, promoters, club owners, while so many other contributors (technicians, performers, designers) are left undervalued.

The system as it stands drives exclusion: skyrocketing prices enrich a handful while pushing many people out of access to these cultural spaces.

There’s a certain formula to big-room melodic techno these days—brooding synths, rolling basslines, and a buildup engineered for that peak-time euphoria. But every now and then, a track drops that doesn’t just follow the formula; it owns it. She The Last One is exactly that.

Taipei-based producer William Trilogy brings a refreshing perspective to Deep House with New Heights, a track that refuses to settle for the genre’s usual formulas. Instead of looping into predictability, this production brings in a refined minimal groove, layered with subtle yet powerful textures that create a more dynamic sound.